What It Is
The question of representation in entertainment is a front-and-center issue of our time, even if you’re not working in the industry. With trending topics like #OscarsSoWhite, the raging back-and-forth around Hamilton’s non-white casting call, audition room role reversals, and a recent surge of Asian awareness in Hollywood, it’s pretty familiar territory to anyone with a finger on media’s pulse.
Room 4, by Marina and Nicco, and playing twice more at The People’s Improv Theater (5/26 & 5/27 at 9:30 PM) takes an extended look under the hood, moving deeper than hashtags and taking full advantage of comedy and theatrical history to deconstruct depictions of black characters and the use of black actors in America. Four actors stuck in an existential time loop play out their most stereotyped role, tortured from beyond time and space by the twin fantasies of white supremacist media — the Angry Black Guy and the Magical Negro.
The piece moves as a series of comedic scenes spiraling on a theatrical framework that draws variously from Beckett, commedia dell’arte, and Groundhog’s Day. To quote the aptly worded release, “It’s funny, but a little angry, but mostly funny.”